·         Rudie Kagie: De verboden saxofoon (Amsterdam, de Prom, 2000, 156p., ill., sb)

·         Ashley Kahn: Kind of Blue. The making of the Miles Davis masterpiece (New York, Viking, 2000, 256p., ill., hb)

·         Ashley Kahn: A Love Supreme; the Story of John Coltrane’s Signature Tune (New York, Viking, 2002, XXIII+260p., ill, hb)

·         Ashley Kahn: The House That Trane Built (New York, Norton, 2006, 338p., hb)

·         Max Kaminsky: My Life in Jazz (New York, Harper, 1963, 242p., hb; JBC57)

·         Harrnett T.Kane: Queen New Orleans. City by the River (1949, 374p., ill., hb)

·         Hennie van de Kar-Vervooren (ed): Breda Jazz Festival 1971-2010 (Breda, Stichting Breda Jazz Festival, 2010,)

·         Toivo Kärki / Kale Kaisla: Rytmimusiikki (Turku, Kalte, 1946, 110p., ill.)

·         Ingrid Karl (Hrg): Jazz op.3 – Die heimliche Liebe des Jazz zur europäischen Moderne (Wien, Löcker, 1986, 326p., ill., sb)

·         William Karlen: Anthologie du jazz classique; la synthese d'un demi-siecle de swing. (Sierre, 2000, 322p., survey 1900-1960, text in French, sb, c.E34)

·         Larry Kart: Jazz in Search of Itself (New Haven, Yale Un.Press, 2004, 342p., hb)

·         Paul Karting: Opgaan in lucht: Herinneringen aan jazz in Rotterdam 1960-1970 (Delft, Eburon, 2006, 120p., hb)

·         Rolf ten Kate a.o.: 6 over jazz (Zaandijk, Heijnis, 1958, 110p., ill., hb+EP, eB.$126.78, eB.ndjE35, eB.$260.55, eB.ndj$16.50, eB.$257.52, eB.ns$75, eB.E7.70, eB.nsE55, eB.$127.50, eB.$178.50)

·         Michael H.Kater: Gewagtes Spiel. Jazz im Nationalsozialismus (Kiepenheuer&Witsch, 453p., ill., hb, E1.11; US-edition: Different Drummers. Jazz in the Culture of Nazi Germany, New York, Oxford Un.Press, 1992, 291p., ill., hb)

·         Jimmy Katz: Jazz Katz (Jazzprezzo, 2007, 191p., ill., large hb, E58)

·         Jimmy Katz: Joe Lovano: The Cat with the Hat. The Blue Note Recording Sessions photographed by Jimmy Katz (Bad Oeynhausen, 2008, 146 p., large hb+CD (13 tracks of Blue Note material), E52)

·         Frederick Kaufman / John P. Guckin: The African Roots of Jazz (Sherman Oaks, Alfred, 1979, XI+148p., sb)

·         Helen L.Kaufman: From Jehovah to Jazz: Music in America from Psalmody to the Present Day (New York, Dodd, Mead, 1937, XIII+303p., ill., hb)

·         George W.Kay: Those Fabulous Gennetts!. The Life Story of a Remarkable Label (Corrollton, private publication, 1953, 10p., ill., sb, ant.$19-$22, eB.$14.99)

·         Erhard Kayzer: Mahalia Jackson. Ein Porträt (Wetzlar, Pegasus, 1962, 48p., ill., hb; Jazz Bücherei 11))

·         Max Kazan: Horace Silver (Bruxelles, Dialogue, 1964, 164p.)

·         Orrin Keepnews / Bill Grauer (ed): A Pictorial History of Jazz. Peoples and places from New Orleans to Modern Jazz (New York, Crown, 1955, 282p., ill., hb; rev. ed. New York, Crown, 1966, 297p., ill., hb)

·         Orrin Keepnews: The View from Within: Jazz Writings, 1948-1987(New York, Oxford Un.Press, 1989, 238p., hb, ant.$11-$30, eB.$15.51, eB.GBP14.50)

·         Charles Keil: Urban Blues (Chicago, Un.of Chicago Press, 1966, 231p., ill., hb, ant.$37-$60)

·         Keith Keller: Oh Jess! A Jazz Life  (New York, Mayan Music, 1989, 225p., ill., sb)

·         Christian Kellerman: Jazz in Deutschland vom 1933-1945 (Hamburg, 1990)

·         Robin D.G.Kelley: Thelonious Monk: The Life and Times of an American Original (Free Press, 2009, 588p., ill., hb)

·         Al Kennedy: Chord Changes on the Chalkboard: How Public School Teachers Shaped Jazz and the Music of New Orleans (Lanham, Scarecrow, 2002, 248p., hb, $55; SiJ41)

·         Don Kennedy: Big Band Jump Personality Interviews  (Atlanta, 1993, 70 p., interviews with Artie Shaw, Basie, Yank lawson, Haggart, Carle, Helen O'Connell, Ray Anthony, Erskine Hawkins, Barnet, Kenton, McKinley, Torme, sb, E22.45)

·         Rick Kennedy: Jelly Roll, Bix, and Hoagy. Gennett Studios and the Birth of Recorded Jazz (Bloomington, Indiana Un.Press, 1994, 234p., ill., hb)

·         Rick Kennedy / Randy McNutt: Little Labels-Big Sound; small record companies and the rise of American music (Bloomington, 2001, XXIII+198p., ill., hb)

·         William Howland Kenney: Chicago Jazz: A Cultural History, 1904-1930, (New York,  1993, 233p., hb)

·         William Howland Kenney: The Phonograph and Popular Memory, 1890-1945 (New York, Oxford Un.Press, 1999, 258p., hb, $52, ant.E86-E110)

·         William Howland Kenney: Jazz on the River (Chicago, Un.of Chicago Press, 2006, 248p., ill., hb)

·         Donald Kennington: The Literature of Jazz: A Critical Guide (Chicago, Am.Library Ass., 1971, 142p., sb/hb,  $8-$25; 19802, 237p., sb)

·         Barry Kernfeld (ed): The New Grove Dictionary of Jazz (Macmillan, 1988, 2vols, hb, ant.$80-$150, eB.$15.50, eB.ns$39.99, eB.$20.99, eB.$16.50, eB.GBP31, eB.$9.99, eB.$37, eB.nsGBP50; 1 vol., 1358p., hb, $60, AC.$42, ant.$25-$80, eB.ns$17, eB.$12, eB.$36, eB.$30, eB.$77, eB.$9.99, eB.$19.99, eB.$31.11, eB.GBP14.99; new edition, St.Martin’s Press, 2001, 3000p., ill., hb, 3vols, $495, ant.$570-$630, eB.ns$250, eB.$192.50, eB.$189, eB.$76.10, eB.$74.99, eB.$96.99)

·         Barry Kernfield (ed): Blackwell Guide to Recorded Jazz (Cambridge, Blackwell, 1991, hb, ant.$16; revised 19952, 587p., hb, ant.$26)

·         Barry Kernfeld: What to Listen for in Jazz (New Haven, Yale Un.Press, 1995, XVII+247 p., hb+CD)

·         Barry Kernfeld: The Story of Fakebooks: Bootlegging Songs to Musicians (Scarecrow, 2006, 174p., sb, $45; SiJ53)

·         Tammy Kernodle: Soul on Soul: The Life and Music of Mary Lou Williams (Boston, Northeastern Un.Press, 2004, 328p., ill., ill., hb)

·         Franz Kerschbaumer: Miles Davis. Stilkritische Untersuchungen zur musikalischen Entwicklung seines Personalstils (Graz, 1978, 238 p., Beiträge zur Jazzforschung = Studies in jazz research 5, sb, E35)

·         Franz Kerschbaumer: Friedrich Körner: Festschrift zum 65. Geburtstag  (Graz, 1996, 208 p., Notenbeispiele, Jazzforschung = Jazz research 28, 1996, sb, c.E43)

·         Emile Eklin Khair: Passion’s Piano; the Eddie Heywood Story (Atlanta, 1997, 124p., ill., large sb, based on the private account of Evelyn Heywood)

·         Rich Kienzle: Great Guitarists (Facts on File, 1985, 246p., ill., sb)

·         Rich Kienzle: Southwest Shuffle. Pioneers of Honky-Tonk, Western Swing and Country Jazz (Routledge, 2003, 272p., hb)

·         Robert Kimball / William Bolcom: Reminiscing with Sissle and Blake (New York,Viking, 1973, 256p., ill., hb, ant.$12-$50, eB.$6.99, eB.$15.50, eB.aut$38.77, eB.$30.99)

·         Larry F.Kiner / Harry Mackenzie: Basic Musical Library, “P”Series, 1-1000 ((Westport, Greenwood, 1990, 344p., ill., hb, $82.95, eB.$24.99, eB.$31.22)

·         B.B.King / David Ritz: Blues All Around Me: the Autobiography of B.B.King (New York, Morrow, 1996, 336p., ill., hb)

·         B.B.King/ Dick Waterman: B.B.King Treasures - Biography & Artifacts (Bullfinch Press, 2005, 160p., ill., large hb+CD, $40, ant.E6-E56)

·         Grace King: New Orleans. The Place and the People (New York, Macmillan, 1895, 402p., ill., hb, ant.$20-$120, eB.$31)

·         Ian King / John Richard: 60 Years of Jazz in Croydon and Beyond (ill., sb)

·         Jonny King: What Jazz Is: An Insider’s Guide to Understanding and Listening to Jazz (New York, Walker, 1997, 162p., sb)

·         Miles Kington: The Jazz Anthology (London, HarperCollins, 1992, 317p., hb)

·         Bill Kinnell(ed): Jazz Orchestras (Chilwell, Jazz Appreciation Society, 1946, 21p., sb)

·         Bill Kinnell/ James Asman (eds): Hot Notes (Chilwell, Jazz Appreciation Society, 1944?, 23p., ill., sb)

·         Roger D.Kinkle: The Complete Encyclopedia of Popular Music and Jazz (New Rochelle, Arlington House, 1974, 2642p., hb, 4 vols, ant.$125-$280, eB.$49.95, eB.ns$39.95, eB.$11.50, eB.$16.27, eB.ns$1, eB.$49.99, eB.ns$150, eB.ns$25, eB.ns$109, eB.$119.90, eB.GBP31.50, eB.ns$49.99)

·         Matin Kippenberger: 1986 Jazz zum Fixen Koch,1987,51p.,ill.,sb,limited ediion 500 copies,ant.E120)

·         Edward “Prince Gabe” Kirby: Memories of Beale Street. Memphis: Where It All Began (Memphis, Memories of Beale Street , 1979, 73p., ill., sb, ant.$27-$30)

·         Edward “Prince Gabe” Kirby: From Africa to Beale Street (Lubin Press, 1983, 176p., ill., hb)

·         Bill Kirchner (ed): A Miles Davis Reader (Washington, Smithsonian  Institution Press, 1997, IX+275p., hb/sb, sb $16.95, AC.$11.87, hb ant.$88, sb)

·         Bill Kirchner (ed): The Oxford Companion to Jazz (Oxford Un,Press, 2000, 864p., hb)

·         Alain Kirili: Conversation avec Archie Shepp (Workshop Alain Kirili, 1996, 32p., ill., large sb, publiée lors de l'Exposition au Centre d'Art Contemporain de Castres du 16 Octobre 1996 au 20 Décembre 1996, eB.nsE60)

·         Alain Kirili: Célebrations; l’invitation faite au jazz (Paris, Bourgois Christian, 1997, 85p., photos of jazz musicians playing and moving in places where Kirili’s sculptures are exhibited, large sb, E28.97)

·         Andy Kirk / Amy Lee: Twenty Years on Wheels (Ann Arbor, Un.of Michigan Press, 1989, hb)

·         Ron Kirkpatrick: Stan Getz: An Appreciation of his Recorded Work (1992, sb)

·         Ed Kirkeby: Ain’t Misbehavin’. The Story of Fats Waller (New York, Dodd&Mead, 1966, 248p., ill., hb; JBC66)

·         R.Kisling/ A.Nikolaus/ A.Reimer: Jazz Baltica (Murmann Verlag, 2006, 168p., hb)

·         Eartha Kitt: Thursday's Child (New York, Duell, Sloane & Pearce, 1956, 250p., hb)

·         Eartha Kitt: Alone with Me: A New Autobiography (Chicago, Henry Regnery, 1976, XII+276p., hb, ant.E20-E30)

·         Eartha Kitt: Confessions of a Sex Kitten (New York, Barricade Books, 1989, VIII+280p., ill., hb)

·         Erik Kjelberg: Svensk Jazz Historia (Norstedt & Söners, 1985, 295p., ill., hb)

·         Erik Kjelberg: Jan Johansson. Jazz pianist, composer, arranger (Svensk Musik, 142p., ill., sb+CD, eB.ns$17.97)

·         Piet Klaasse / Max Gardner / J.Bernlef: Jam Session: Portretten van jazz- en bluesmusici drawn on the scene (Weesp, Moussault, 1983, 192p., hb, ant.$13-$41; UK-edition: London, Davis&Charles, 1985, 192p., ill., hb; US-edition: Sterling, 1987, 192p., ill., hb)

·         Mel Klapholz (drawings) / Michel Laverdure (text): New York Jazz 1964 (Toulouse, 1993, 82 p., text in French, large sb, E50)

·         Bruce H.Klauber: World of Gene Krupa, that legendary drummin’ man (Ventura, Ventura Publishing, 1990, 214p., large sb, ant.$125-250; reprint, Pathfinder, 214p., sb+CD)

·         Bruce H.Klauber: Gene Krupa. The Pictorial Life of a Jazz Legend. (Alfred, 2005, 175p., ill, hb+CD)

·         H.Kleinhout / Wim van Eyle: The Wallace Bishop Story (Alphen a.d.Rijn, private publication, 1981, 72p., ill., sb)

·         Henk Kleinhout: Jazz als probleem: Receptie en acceptatie van de jazz in de wederopbouwperiode van Nederland 1945-1952 (Elbertinck, c.2007, 389p., sb, E24.95)

·         Jerome Klinkowitz: Listen: Gerry Mulligan (New York, Schirmer, 1991, 306p., ill., hb)

·         Co de Kloet / Gabri de Wagt: Mooi Holland. De woelige jaren van de Ramblers (1981, VARA, 136p., ill., hb)

·         Jaap van de Klomp: One Night Stand: jazz concerten in Nederland 1947-1967 (Amsterdam, [1999], Windroos, 96 p., photo book w/ concert dates, personnell etc., c. sb, c.E21)

·         Jaap van der Klomp (potos)/ Scott Yanow (text): Jazz Lives - Till We Shall Meet and Never Part (Utrecht, Bruna, 2008, 190p., ill., hb, E34.95)

·         Felix Klopotek: How They Do It; Free Jazz, Improvisation und Niemandsmusik (Mainz, 2002, 208p., ill., sb)

·         Walter Klösel a.o.: Der Jazz. Wesen und Wirkung (Frankfurt, Diesterweg, 1961, 48 p.)

·         Gerhard Klussmeier: Benny Goodman und Deutschland (Frankfurt, Eisenbletter und Naumann, 1989, 166p., ill., sb)

·         Henry A. Kmen: Music in New Orleans. The Formative Years, 1791-1841 (Baton Rouge, Louisiana State Un., 1967, 314p., ill., hb, ant.$20-$95, eB.ns$23.95)

·         Wolfram Knauer: Zwischen Bebop und Free Jazz; Komposition und Improvisation des Modern Jazz Quartet (Mainz, 1990 [i.e.1991], 2 vols (393+180 p.), Dissertation, Textband und Notenband mit Transkriptionen, set: hb, E83.50)

·         Wolfram Knauer (Hrg): Jazz und Komposition (Hofheim, Wolke, 1992, 225p., Darmstädter Beiträge zur Jazzforschung Bd.2, sb, E19 )

·         Wolfram Knauer (Hrg): Jazz in Europa (Hofheim, Wolke, 1993, Darmstädter Beiträge zur Jazzforschung Bd. 3, 261p., sb)

·         Wolfram Knauer (Hrg): Jazz in Deutschland  (Hofheim, Wolke, 1996, 287 p., Darmstädter Beiträge zur Jazzforschung  Bd 4, 287p., sb)

·         Wolfram Knauer (Hrg): Jazz und Sprache/ Sprache und Jazz (Hofheim, 1998, 189p., ill., Darmstädter Beiträge zur Jazzforschung Bd.5, sb)

·         Wolfram Knauer (Hrg): Duke Ellington und die Folgen (Hofheim, 2000, 276p., Darmstädter Beiträge zur Jazzforschung Bd.6, sb)

·         Wolfram Knauer(Hrg): Jazz und Gesellschaft: Sozialgeschichtliche Aspekte des Jazz (Hofheim, 2002, Darmstädter Beiträge zur Jazzforschung Bd.7, sb)

·         Wolfram Knauer: Jazz Goes Pop Goes Jazz (Wolke Verlag, 2006, 278p., sb)

·         Knaurs Jazz-Lexikon (Alfons Dauer, Hrg) (Munchen, Knaur, 1957, 324p., ill., hb)

·         Zane Knauss: Conversations with Jazz Musicians (Detroit, Gale Research, 1977)

·         Bruno Knobel: Jazzfibel (Solothurn, Christophorus, 1960, 56p., ill,. hb+45RPM)

·         Richard H. Knowles: Fallen Heroes : a history of New Orleans brass bands (New Orleans, Jazzology, 1996, 272 p., ill., sb+CD (13 music tracks, 5 tracks by Bunk Johnson, Peter Bocage, Alfred Williams, Alex Bigard talking about brass bands))

·         Wim Knulst: Jazz anno 1970 (Boekmanstichting, 1972, 95p., ill., sb)

·         Lawrence O.Koch: Yardbird Suite (Bowling Green, Bowling Green State Un.Popular Press, 1988, 336p., hb, eB.$15.51)

·         Franz W.Koebner: Jazz und Shimmy. Brevier der neuesten Tänze  (Berlin, Eysler, 1921, 122p., ill., sb/hb, ant.E26-E150, eB.nsE69.90)

·         Reinhard Koechl / Peter Tippelt / Richard Wiedamann: Dusko Gojkovic. Jazz ist Freiheit (Regensburg, Con Brio, 1995, 255 p., sb + CD, Schriftenreihe des Bayerischen Jazzinstituts Bd 1, illustrierte Bio-discographie mit 1 CD, live 1994 im Quintett, Buch/CD set, sb, E12, eB.wcdE22.06)

·         Daniel Koechlin: 50 ans de jazz avec Barney Bigard (Darnetal, 1979, 57p., sb)

·         Philippe Koechlin : Le Jazz (Hachette, 1995, 79p., sb, collection Qui, Quand, Quoi)

·         Karl Koenig: Jazz Map of New Orleans (1983, map+booklet, now includes jazz maps of Chicago, Los Angeles and New York as well)

·         Karl Koenig: Just a Closer Walk (Running Springs, Basin Street Press, 1985, 40p., ill., sb)

·         Karl Koenig: Under the Influence: The Four Hornsman of New Orleans Early Jazz (Running Springs, Basin Street Press, 1994, 195p., sb)

·         Karl Koenig: Sonic Boom: Drums and Drummers in Early New Orleans Jazz (Running Springs, Basin Street Press, 1994, 170p., sb)

·         Karl Koenig: A Researcher’s View on New Orleans Jazz History (Running Springs, Basin Street Press, 1995, 139p., sb)

·         Karl Koenig: Origins and Influences of Jazz Music? (Running Springs, Basin Street Press, 1995, 2vols, 336p., $28.50)

·         Karl Koenig: History and Performance of Polyphony (Running Springs, Basin Street Press, 1995, 117p., sb)

·         Karl Koenig: The History of the March (Running Springs, Basin Street Press, 1995, 64p., sb, sb)

·         Karl Koenig: The Evolution of Written Jazz (Running Springs, Basin Street Press, 1995, 278p., $23)

·         Karl Koenig: The Evolution of Ragtime & Blues to Jazz (Running Springs, Basin Street Press, 1995, 184p., large sb, sb)

Karl Koenig: Music in the Parishes Surrrounding New Orleans:

·         St.Tammany (Running Springs, Basin Street Press, 1996, 324p., $35)

·         Ascension (Running Springs, Basin Street Press, 1996, 361p., $35)

·         Lafourche (1997, 314p., $35)

·         Plaquemines (Running Springs, Basin Street Press, 1997, 217p., $26.50)

·         West Bank (Running Springs, Basin Street Press, 1997, 154p., $17)

·         Baton Rouge (Running Springs, Basin Street Press, 1997, 410p., $45)

·         Karl Koenig: The Jazz Essays (Running Springs, Basin Street Press, 1996, 144p., sb)

·         Karl Koenig: Trinity of Early Jazz Leaders: John Robichaux, Claiborne Wiliams and “Toots” Johnson (Running Springs, Basin Street Press, 1996, 222p., sb)

·         Karl Koenig: Five Legendary Music Teachers (Running Springs, Basin Street Press, 1996, 104p., large sb, sb)

·         Karl Koenig: The Jazz Lectures (Running Springs, Basin Street Press, 1996, 85p., sb)

·         Karl Koenig: Beginning Jazz Improvisation (Running Springs, Basin Street Press, 1997, 59p., sb)

·         Karl Koenig: Musical Jokes, Poems, Jargon & Lists (Running Springs, Basin Street Press, 1997, 35p., sb)

·         Karl Koenig: The Dance and its Influence on Early Jazz (Running Fields, Basin Street Press, 1999, 288p., $24)

·         Karl Koenig: Scrapbook of Jazz (Running Springs, Basin Street Press, 1999, 255p., ill., collection of jazz sheet music, pictures, advertisements jazz locations, carricatures and cartoons of jazz, $30)

·         Karl Koenig: String Bands: the ancestor of the jazz band (Runing Springs, Basin Street Press, 2000, 113p., sb)

·         Karl Koenig: The Role of Riverboats in the History of Jazz (Running Springs, Basin Street Press, 2000, 220p., $19.50)

·         Karl Koenig: Jazz Essays II (Running Springs, Basin Street Press, 2001, 180p., $16.50)

·         Karl Koenig: Jazz Essays III (Running Springs, Basin Street Press, 2002, 111p., sb)

·         Karl Koenig: The Bios #1 (Running Springs, Basin Street Press, 2002, 119p., ill., large sb, sb)

·         Karl Koenig: Quartet. The History of the “Minstrel Music”, “Cakewalk”, “Two Step” and the “Coon Song” (Running Springs, Basin Street Press, 2002, 4 vols, 258+149+75+142=614p., ill., large sb, $50)

·         Karl Koenig (ed): Jazz in Print, 1859-1929. An Anthology of Early Source Readings in Jazz History (Hillsdale, Pendragon Press, 2002, 594p., hb, $76)

·         Karl Koenig: Early West Coast Jazz (Running Springs, Basin Street Press, 2003, 189p., $17)

·         Allen Koenigsberg: Edison Cylinder records, 1889-1912. With an illustrated history of the phonograph (New York, Stellar Productions, 1969, 43+159p., sb, ant.$73-$95)

·         Pannonica De Koenigswater: Three Wishes: An Intimate Look at Jazz Greats (Abrams Image, 2008, 320p., sb)

·         Frank Kofsky: Black Nationalism and the Revolution in Music (New York, Pathfinder Press, 1970; revised edition: John Coltrane and the Jazz Revolution of the 1960’s, New York, Pathfinder Press, 1998, 480p., ill., hb)

·         Frans Kofsky: Black Music, White Business (NewYork, Pathfinder Press, 1998, 200p., hb)

·         Eric Kohler / Tony Bennett: In the Groove: Vintage Record Graphics 1940-1960 (San Francisco, Chronicle Books, 1999, 132p., ill., sb)

·         Peter Köhler / Konrad Schacht: Die Jazzmusiker: zur Soziologie einer kreativen Randgruppe (Freiburg, Peter Weininger, Roter Punkt Verlag, 1983)

·         Peter Köhler / Matthias Schubert: Vom Ragtime endlich auch zum Swing. Zur Fruhen Geschichte des Jazz in Deutschland (Neu-Isenburg, 1991)

·         Ryuji Kohno: Jazz no Jiten (=Dictionary of Jazz) (Tokyo, Sohgen-sha, 1957, 496p., ill.)

·         Elisabeth Kolleritsch: Jazz in Graz; von den Anfängen nach dem 2.Weltkrieg bis zu seiner akademischen Etablierung; ein zeitgeschichtlicher Beitrag zur Entwicklung des Jazz in Europa (Graz, 1995, 323p., ill., sb, E39)

·         Edward Komara: The Dial Recordings of Charlie Parker (Lanham, Scarecrow, 1998, 232p., hb, $69.50, eB.$39.99, eB.ns$49.99)

·         Edward Komara: Encyclopedia of the Blues (Routledge, 2005, 2 vols, 1440p., hb, $325, ant.E90-E300)

·         Edward Komara: The Road to Robert Johnson: The Genesis and Evolution of Blues in the Delta From the Late 1800s Through 1938 (Hal Leonard, 2007, 96p., ill., sb)

·         Burghard König: Jazzrock. Tendenzen einer modernen Musik (Reinbek bei Hamburg, Rowohlt, 1983, 294p., ill., sb)

·         Matti Konttinen: Finnish Jazz (Helsinki, Foundation of the Promotion of Finnish Music, 1974, 72p.; 1982(2nd ed.))

·         Jaap Kool / Lawrence Gwodz: Das Saxophon (Leipzig, 1931, 280p., ill., hb; Reissues: English: Baldcock, Egon, 1987, 316p., hb, ant.$500-$625; Deutsch: Frankfurt, Boschinsky, 1989)

·         J.H.W.Kool: Jazz-orkesten. Leiders en musici (Alkmaar, Arti, 1960, 64p., small hb)

·         Martin Koomen: Drink, drink het uur. Kronieken uit de tijd van de jazz (Baarn, de Prom, 1998, 128p., sb)

·         Piet Koopmans: Jazzkroniek van de Zaanstreek 1925-2000 (Wormer, Stichting Utitgeverij Noord-Holland, 2004, 135p., ill., hb, E29.90)

·         Rudy Koopmans: Jazz. Improvisatie en organisatie van een groeiende minderheid (Amsterdam, SUA, 1977, 270p., sb)

·         Rudy Koopmans: Over muziek en politiek (IJmuiden, Vermande, 1977, 59p., sb)

·         Rudy Koopmans: Jazz op avontuur 1970-1980 (Amsterdam, van Gennep, 1982, 141p., sb)

·         Burt Korall: The World’s Greatest Jazz Band of Yank Lawson and Bob Haggart (Phoenix, 1973)

·         Burt Korall: Drummin’ Men: The Heartbeat of Jazz, the Swing Years (New York, Schirmer, 1990, 381p., hb)

·         Burt Korall: Drummin’ Men: The Heartbeat of Jazz, the Be Bop Years (New York, Oxford Un.Press, 2002, 320p., ill., hb)

·         Ilse Korb / K.Fischer: Dave Brubeck: Improvisations and Compositions: the Idea of Cultural Exchange. With Discography (Peter Lang, 1994, sb, $45.95)

·         Albert Kösbauer,: Images of live jazz performances (2008.214 p., sb)

·         Richard Kostelanetz (ed): The B.B.King Companion: Five Decades of Commentary (New York, Schirmer, 1997, 276p., sb)

·         Piet Koster / Harm Mobach: Lestorian Notes. A Discography and Bibliography of Lester Young (Amsterdam, Micrography, 1998, 487p.)

·         Simon Koster: De razende saxofoon (Den Haag, Wereldbibliotheek, 1931, hb, fiction)

·         Josef Kotek: Kronika Ceske Synkopy Nr. 1, 1903-1938 (Prague, Supraphon, 1975, 190p., ill., hb)

·         Josef Kotek/ J.Hořcem: Kronika Ceske Synkopy Nr. 2,1939-1961 (Prague, Supraphone, 1990, 250p., ill., hb)

·         Peter Krähenbühl: Der Jazz und seine Menschen (Bern, Francke, 1968, 140p., sb)

·         Dietrich Heinz Kraner: Jazz in Austria: historische Entwicklung und Diskographie des Jazz in Österreich (Wien, Universal Edition, 1972, 95p.)

·         Werner Kraus (Hrg): Jazz in Bayern (Regensburg, ConBrio, 1997, 283p., sb, Schriftenreihe des Bayerischen Jazzinstituts Bd.3)

·         Werner Kraus (Hrg): Jazz in Bayern Bd.2 (Regensburg, ConBrio, 2000, 303p., ill., sb, Schriftenreihe des Bayerischen Jazzinstituts Bd.5, E19)

·         Eberhart Kraut: George Lewis: Streifzug durch ein Musterleben (Menden, Jazzfreund, 1980, sb, Jazzfreund Publikation Nr.8)

·         Eberhart Kraut (ed): The Revival. Documents of the American Music Sessions 1940-’45 (Arcegno, 1986, 44p., ill., 60 photos, exhibition catalogue, sb)

·         Sallie Kravetz: Ethel Ennis: The Reluctant Jazz-Star. An illustrated biography (Hughes Enterprises, 1984, 112p., ill., sb)

·         Henry Edward Krehbiel: Afro-American Folksongs. A study in racial and national music (New York, Schirmer, 1914, 176p., hb, ant.$70-$200, eB.ns$49.99)

·         Reinhard Kreusch: Albert-Louis Jazzband … aus meiner Sicht (Rombach, 2006, 135p., sb)

·         Kurt Kreutzfels(ed): Jazz-historier. Fra Louis Armstrong til Charlie Parker (Copenhagen, Andersen, 1958, 216p.)

·         Robert C.Kriebel: Blue Flame: Woody Herman’s Life in Music (West Lafayete, Purdue Un.Press, 1995, 248p., sb)

·         Franz Krieger: Jazz-Solopiano; zum Stilwandel am Beispiel ausgewählter "Body and Soul"-Aufnahmen von 1938-1992 (Graz, 1995 [i.e.1996], 368p., zahlreiche Notenbeispiele, Jazzforschung = Jazz research 27, sb, E52)

·         Eric Kriss: Six blues-roots pianists (New York, Oak, 1973, 104p., sb, ant.$25-$30)

·         Eric Kriss: Barrelhouse and Boogie Piano (New York, Oak, 1974, sb+CD)

·         Hans Kroeze: International Jazz Festival 1971-1980 (Amsterdam, 1981, 144p., ill., sb)

·         John Kruth: Bright Moments; the Life and Legacy of Rahsaan Roland Kirk (New York, Welcome Rane Publishers, 2000, X+404p., ill., hb)

·         Gerhard Kubik: Africa and the Blues (Jackson, Un.of Mississippi Press, 1999, 240p., ill., hb)

·         L.Kuehl / E.Scokert: Billie Holiday Remembered (New York, New York Jazz Museum, 1973, 20p., sb, ant.$17)

·         Michael Kuhlmann: Popularmusik im ""Dritten Reich"" - unter besonderer Berücksichtigung afroamerikanischer Einflüsse (Grin Verlag, 2007, 92p., sb)

·         John Kuehn / Arne Astrup: Buddy DeFranco: A Biographical Portrait and Discography (Metuchen, Scarecrow, 1993, 262p., hb, $55, ant.$45, eB.$2, eB.GBP7.70; SiJ12)

·         Barbara J.Kukla: Swing City: Newark Night Life 1925-1950 (Philadelphia, Temple Un.Press, 1991, 269p., hb)

·         Annette Kulp: Jazz in den 1920er Jahren; von subalterner Kultur zum Massenphänomen (Marburg, 2008, 147 p., sb, E24,90; Wissenschaftliche Beiträge aus dem Tectum-Verlag: Reihe Sozialwissenschaften Bd 10)

·         H.Kumpf: Postserielle Musik und Free Jazz: Wechselwirkungen und Parallelen (Herrenberg, 1975)

·         Peter Kunst: Sidney Bechet. Ein Porträt (Wetzlar, Pegasus, 1959, 48p., ill., hb; Jazz Bücherei 1)

·         Johannes Kunz: Back to the Roots. 100 Jahre Jazz (hb)

·         Martin Kunzler: Jazz Lexikon (Rowohlt, 1988, 2 vols, 666p., sb; erweiterte Neuauflage: Reinbeck, 2002, 1604p., 2 vols, sb, E29.80, eB.E14.09)

·         Heinrich Kupffer: Swingtime, Chronik einer Jugend in Deutschland 1937-1951 (Berlin, Frieling, 1987, 144p., sb; ant.E23-E40)

·         Ruud Kuyper (ed): Over Jazz (Amsterdam, Arbeiderspers, 1967, 169p., sb)

·         Ruud Kuyper: Jazz en omstreken. Handboek voor spelers en luisteraars (Rijswijk, Elmar, 1984, 257p., ill., sb)

·         Ruud Kuyper: Miles Davis dichterbij (Utrecht, Luitingh, 1988, 127p., ill., sb)

·         Ruud Kuyper: Jazz in stijl. Handboek voor musici en liefhebbers (Rijswijk, Elmar, 1992, 264p., ill., hb)

·         Trent P.Kynaston: Jazz Improvisation (Englewood Cliffs, Prentice-Hall, 1978, hb)